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Wright referred to them as “toplights
With the art glass
Hand painted for a naturalistic shimmering finish
Reni's painting of Saint Michael the Archangel (1636) embodies the Roman Catholic teaching that he is the supreme enemy of Satan and the fallen angels
ST. MICHAEL, C/12 Cowboy Wright referred to them asReni's painting of Saint Michael the Archangel (1636) embodies the Roman Catholic teaching that he is the supreme enemy of Satan and the fallen angels. As protector of the Church, Saint Michael defeated Satan and drove him out of heaven. Reni depicts a victorious Saint Michael wielding a sword as Satan, or a fallen angel, struggles helplessly below his foot. Despite the dramatic imagery, there is a softness of form and color particularly embodied in
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