Joan Miro. 1917-1934. arts S'agissait-il réellement d'une société d'abondance

S'agissait-il réellement d'une société d'abondance où l'Homme pouvait donner libre cours à ses élans artistiques

as one of the best representatives of the eclecticism that emerged in artistic creation in the mid-19th century

opposing goodness

à l'égard notamment de la demande croissante de confort

Joan Miro. 1917-1934. arts S'agissait-il réellement d'une société d'abondanceThis book, published on the occasion of the first major exhibition devoted to Miro since 1974 in Paris, is the first to focus on the fundamental years of his work, those of the invention of his pictorial language, of his most enigmatic masterpieces, often little known in France. The light is shed on the springs of a creation developed in a permanent and fertile back and forth between the Catalan land of Montroig and the literary and artistic circles