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she remained connected to the Swiss art scene but maintained contacts with international artists of geometric abstraction
to which he dedicated over three hundred lithographs
first and foremost
Marie Laurencin (Paris 1883 - Paris 1956) trained in early 20th century Paris where
MIRÓ JOAN, Mangeur de soleil, 1955 sculture she remained connected to thePerfetto esemplare, affiche realizzata per lesposizione del Maestro alla Galleria Maeght. Impresso da Adrien Maeght, Parigi. Conservazione perfetta, con margini editoriali. Edizione avant la lettre. Bibliografia Maeght, Arte Affiches 1964 1971, 1972 1977, Mourlot 150.
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