HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 30, 1834 sculture in which the human gesture

in which the human gesture becomes a structural element of the landscape

indicava “immagini senza vincoli” e si riferiva a raccolte didattiche

The compositional idea is particularly clever: the net becomes both a working tool and a visual device that frames the landscape

and then was a widow until she was eighty-four

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 30, 1834 sculture in which the human gestureBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New