Degas à l'opéra. Archéologie This collection of drawings

This collection of drawings

earthenware

taking his recently assembled images with him

these had a religious center

Degas à l'opéra. Archéologie This collection of drawingsThroughout his career, from the 1860s to his final works after 1900, Degas made the Opera the central point of his work, his "own room." He explored its various spaces auditorium and stage, dressing rooms, foyer, dance hall, and became attached to those who inhabited them, dancers, singers, musicians, spectators, subscribers in black suits haunting the wings. This enclosed universe is a microcosm of infinite possibilities and allows for all sorts of